Friday, October 27, 2017
Cinéma vérité : in this case, pointlessly lingering shots to pad the running time and flaunt self-indulgent pretentiousness.
I saw Breaking the Waves (1996) in the theater. It is about a simple minded woman who might be crazy and thinks she talks to god. She marries an oil rig worker (I can't recall if there was a connection between the 2 or if it was just physical or if it was just convenient to the plot). She misses him while he is gone and prays for him to come back to her and then he is permanently paralyzed in an accident (a well done scene as I recall). Hopeless, he tells her to move on. Trying to convince her to move on he tells her to sleep with other men then he'll get better.
Between the trite plot, an ending that I predicted halfway through (but I thought it was too lame and hackneyed to make it into a movie), the so-called characters and the feeling that its 4 and a half hour running time could have been edited down to 30 minutes I felt absolute rage at this movie, for while having potential, turning out to be a waste of time. If I hadn't been the only person in the theater I would have tried to start a riot to tear down the screen and hang the director (Lars von Trier) in effigy.
I've never walked out of a movie but this is one that I wish I had.
People would explain to me that it is an artistic triumph, that it is well respected, that it is the darling of critics all over the world, that it is important and that it is an award winning movie but absolutely none of them had seen the movie.
I thought about rewatching it before writing this review but the intensity of my dislike for it remains. (I should also note that while I wrote above that it had a 4 and a half hour running time according to dvd.com its running time was only 2hrs 39min – it only felt twice as long.)
Thursday, October 26, 2017
|Claude Monet, Painting by the Edge of a Wood, 1885 by John Singer Sargent|
|Monet's unfinished canvas in the Sargent painting cropped and distorted into a rectangle. (note the inclusion at the bottom right of Monet's hand, blue shirt and pallette)|
Below, to contrast is Monet's finished painting
|Meadow with Haystacks near as Près à Giberny, 1885 by Claude Monet|